After facing Shredder, who has joined forces with mad scientist Baxter Stockman and henchmen Bebop and Rocksteady to take over the world, the Turtles must confront an even greater nemesis: the notorious Krang.
Autobots must escape sight from a bounty hunter who has taken control of the human serendipity: Unexpectedly, Optimus Prime and his remaining gang turn to a mechanic, his daughter, and her back street racing boyfriend for help.
Darkness has settled over New York City as Shredder and his evil Foot Clan have an iron grip on everything from the police to the politicians. The future is grim until four unlikely outcast brothers rise from the sewers and discover their destiny as Teenage Mutant Ninja Turtles. The Turtles must work with fearless reporter April O'Neil and her cameraman Vern Fenwick to save the city and unravel Shredder's diabolical plan. Written by
Producer Michael Bay had stated that the Turtles in this film would be presented as having an extraterrestrial origin. This statement caused a great furor and was met with harsh criticism from much of the fanbase. However, "Teenage Mutant Ninja Turtles" co-creator Kevin Eastman expressed his support in the alien concept, saying he believes the concept to be "awesome!" and pointed out that the ooze that created the Turtles was in fact an alien substance. See more »
The time-stamp on the footage of the un-mutated turtles in the lab says 1999, which matches the chronology of the film. When we are shown the young April taking this footage in a flashback, she is taking the footage on a bluetooth-enabled digital camcorder, which would not have been available then. The camcorder is also a MicroMV camcorder. MicroMV was not invented until 2001. A MiniDV, Digital8, or even an analog camcorder would have been more period-accurate. See more »
You are extraordinary, my sons. Unlike anything the world has ever seen. Bowed in greatness, destined to protect the people of New York! A dark force is growing: a criminal organization known as the Foot Clan, so named because they step over the good people of this city with no regard. Their leader, Shredder, will come at you with ferocity. His Foot Clan will outnumber you! The people of New York will look upon you as their only hope. Eyes focused! Elbows locked! Stance lowered! Be...
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There is a scene in the closing credits: Michelangelo and Raphael hide from people by blending into a Victoria's Secret billboard. See more »
Folks, it's no exaggeration when I say this one is bad. And I'm not just reviewing it as a Teenage Mutant Ninja Turtles movie. The Ninja Turtles are a lore. Every telling of the story deserves its own version, like Dracula, Sherlock Holmes, or Batman. Adam West, Michael Keaton, Christian Bale, and Ben Affleck all play different versions of Batman in different universes. Though I have a version of the Turtles I like best, I can set aside that prejudice for this review. It's just a very awful film. It's so bad, I don't understand how the current rating stands at 6 stars.
The movie has no real sense of identity, like the filmmakers really had no idea what to do with it. Where are the Turtles going to go? What are they going to do when they get there? Is it going to be spring time or winter? Should it be in the city or in the mountains? Low to the ground in dark settings or high up on roof tops in broad daylight? Are the Turtles stealthy ninjas or mini-Hulks that just needlessly destroy stuff? And are they main characters or secondary plot pieces? Is April O'Neil tech savvy, or does she still conduct interviews with pen and paper? (Through the first half-hour, perhaps even by the end of the film, you'll have a tough time convincing yourself the title shouldn't have been "April O'Neil: The Movie.")
It's very evident that the writers did not know how to work with "Teenage Mutant Ninja Turtles." Again, this has nothing to do with a faithfulness to any kind of version of TMNT. Just, really, they had no clue how to make those four elements work. They're not so much teenagers as they are just dumb. The movie lets the Turtles aspect be self-implied. The Mutants part as well, though it does play loosely into the plot (heh, just kidding, there is no plot). The idea of ninjutsu, though, is a complete afterthought. Seriously, it's just sandwiched in there somewhere and plays no relevance to the story whatsoever, nor has an identifying presence for any character, even Splinter or Shredder.
Yeah, Shredder. That's a whole other useless incorporation. The guy is somewhere between a clunky Power Ranger villain (the ones in great big suits that don't move very well) and Bane from "Batman and Robin." He doesn't even fill the main villain role. That "honor" would go to William Fichtner's character, Eric sounds-like-sex Sacks. Shredder's just a tool. His appearance, fighting-style, and overall awkwardness are all loud, awful reminders of how the filmmakers knew nothing about ninjutsu or how to use it. "You know what? Just make 'em fight with ninja weapons, put lots and lots of blades around, and be sure the word 'Japan' gets into someone's origin story somewhere. Close enough."
Yes, the Turtles are kind of funny, but it's completely incidental. There were times when the movie tried to force something humorous, but in the theater I was in, no one laughed. And I was in a packed house. Their personalities are nothing but typecasting: Leo is the serious control-freak, Raphael the brooding B.A., Michelangelo is a goof-ball, and Donatello is the inventive... nerd! Yeah, nerds are inventive, right? Let's make him a snorting, glasses-wearing dork! You know what, just make him Simon from Alvin and the Chipmunks. You never feel like you get to be a part of the Teenage Mutant Ninja Turtles. They're just kind of there. The viewer is more watching from April or Vern's vantage point, never fully involved in the brotherhood.
There's a whole lot more stupid that goes on for the sake of convenience: like Donatello's bo able to flip over an SUV, or the fact that an iron construction beam can't support the weight of Leo and Donnie, but Raph who comes to their rescue can (what, are they as heavy as semi-trucks?). Watch out for the abundance of product-placement. This is a Michael Bay produced film, remember. At one point, Splinter pretty much monologues a Pizza Hut ad.
In closing, I want to leave you with this, because until we get this, these horrible, ridiculous movies will continue to get made. In an interview with an MTV whoever, TMNT producer Michael Bay said that he doesn't care if people think his movies are bad. Speaking specifically about the latest Transformers installation, "They love to hate, and I don't care. Let them hate. They're still going to see the movie!"
This movie is a poo-pile of a film. I'm intentionally avoiding the usual puns like "it was a shell-acking" or "I left the theater shell-shocked" because, again, my affinity for the Teenage Mutant Ninja Turtles has nothing to do with how bad this movie is. As long as we keep paying to see what we know is going to be a bad movie, they'll keep getting made. And it doesn't matter that they're bad, because we'll pay for it no matter how bad it is.
Or maybe these movies keep getting manufactured because there is actually a niche of people who like them. After all, it has a rating of 6 out of 10 stars...
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