New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
High school teacher Trevor Garfield is stabbed by bad-boy student. Fifteen months later, he moves to Los-Angeles to the unruly, predominantly Latino school. He has to tame wolf-like ... See full summary »
New York Police Detective John Shaft is the lead detective on a sensitive case, a young black man is severely beaten. The man's companions tell Shaft that their friend humiliated the one who was sprouting racial slurs at him. Shaft confronts him and he says he's Walter Wade Jr. , the son of a wealthy man. Shaft finds that he has the id of a woman who's a waitress at the bar where Wade and the guy who was attacked were. When Wade continues to hurl racist comments, Shaft smacks him. Shaft later learns because of his actions Wade was granted bail and fled. Two years later, Wade returns and Shaft arrests him. At his hearing when the judge grants him bail, that's when Shaft throws his badge at the judge. He then sets out to get Wade by finding the waitress. Wade in the meantime asks a drug dealer named Peoples Hernandez to find the waitress and make sure she doesn't talk. Written by
When Walter Wade Jr. gets into yellow cab to go pawn the jewelry, he tells the cab driver to take him to 47th and 5th. The following shot shows Wade Jr. coming out of a jewelry store with the cash and walking away. As he walks away the green street sign on the corner clearly says 79th St. 47th and 5th is nowhere near 79th street. See more »
Hot Gal Today (Krotches Remix)
by Cleveland Browne, Wycliff Johnson, Mr. Vegas (as Clifford Smith) and Sean Paul (as Sean Henriques)
Performed by Sean Paul & Mr. Vegas
Courtesy of VP Music Group, Inc. See more »
An enjoyable but nevertheless quite silly and average remake of the classic television show has the new John Shaft (Samuel L. Jackson) beating up a white racist (Christian Bale) and getting booted off of the police force. Everyone in this film is a racist - primarily the whites - and this whole idea is way too forced. The language and violence is rough, yet the film itself is quite goofy, with not many good scenes and only a few mediocre action sequences. The moral is somewhat depressing: if someone wrongs you, or someone of your race, then beat them up and kill them once they reappear. Richard Roundtree's cameo helps a bit, but regardless, this SHAFT is still only "good" at best.
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